Technically this isn't a "remix" as it doesn't use any of the original track as source material. So let's call it a "re-imagining".
I re-imagined Apotheosis at half tempo with half the notes, played it on the same bass with a hit of sodium pentathol. Then fleshed it out with instrumentation.
It descends into a dark & moody second half where I used the Resonator bass for all kinds of soundscape making.
ALL sale proceeds from APOTHEOSIS : DEVIATIONS will be donated to Music In Schools Today - a San Francisco Bay Area charity helping fund music education in schools. Good cause.
credits
from Apotheosis : Deviations,
track released September 15, 2012
jeff schmidt: basses, guitars, programming, production
supported by 7 fans who also own “Apotheosis (Delirium)”
I admire the way Jeff Schmidt uses fretless bass in his music, and found this project's vibe very interesting.
I also like the fact that by adding more instruments in this project, it doesn't get monotonous.
I enjoy this kind of music when I want to listen to different landscapes and sounds without having to pay too much attention to busy bass lines, etc, and it is always a great inspiration in terms of expressiveness on bass. Pablo Cavallo
supported by 4 fans who also own “Apotheosis (Delirium)”
I made love with my girlfriend so many times on this album. It is incredible. The songs are so beautiful and the rythm so well coordinated for this kind of moment... Anyway, always good to listen to it in the bus too Faugus
Glowing melodic synth sequences meet jagged noise and other industrial textures on this new LP by soundtrack composer René G. Boscio. Bandcamp New & Notable Oct 13, 2020
The second LP from Kuedo feels like the soundtrack for future-noir, with rippling, uneasy synths and steadily-increasing tension. Bandcamp New & Notable Oct 1, 2016