The requirement was - it has to be good and oh yeah, you've got about 3 weeks.
Russ came through with this jem! It reminds me of really cool indie video game music - in that it makes me want to run around killing zombie demon unicorn invaders from cygnus x-1.
Here's Russ' description of the track.
Russ Sitka: One thing that I really like about the original tune is the energy of the composition, especially for a solo fretless piece. I found it to have certain 'heaviness' that sounds like nothing else I've heard and I chose to expand upon that as the focus for my take. By splitting the tune into an ensemble and using some aggressive effects, I wanted to give the impression of the music having so much energy that it is bursting at the digital seams. I'm pretty sure if Zeus played bass this is what it would sound like.
supported by 7 fans who also own “Apotheosis (Defenestration)”
I admire the way Jeff Schmidt uses fretless bass in his music, and found this project's vibe very interesting.
I also like the fact that by adding more instruments in this project, it doesn't get monotonous.
I enjoy this kind of music when I want to listen to different landscapes and sounds without having to pay too much attention to busy bass lines, etc, and it is always a great inspiration in terms of expressiveness on bass. Pablo Cavallo
supported by 4 fans who also own “Apotheosis (Defenestration)”
I made love with my girlfriend so many times on this album. It is incredible. The songs are so beautiful and the rythm so well coordinated for this kind of moment... Anyway, always good to listen to it in the bus too Faugus
Glowing melodic synth sequences meet jagged noise and other industrial textures on this new LP by soundtrack composer René G. Boscio. Bandcamp New & Notable Oct 13, 2020
The second LP from Kuedo feels like the soundtrack for future-noir, with rippling, uneasy synths and steadily-increasing tension. Bandcamp New & Notable Oct 1, 2016